Credits & Privacy Policy

Photography Credits

Home Page:

Paul Evans (1931-1987); Screen, 1969; Enameled, patinated and gilded steel and brass; 72x36x5 in.; Private collection; photograph courtesy Todd Merrill Studio; Published in Crafting Modernism, plate 10. https://toddmerrillstudio.com/shop/century/designers/paul-evans/paul-evans-rare-sculpture-front-screen-usa-1969/ accessed January 6, 2020

Areas of Expertise:

Gorham Manufacturing Company., (active 1865–1961), Snake Pitcher, 1885. Silver. Overall: 25.4 x 19.4 x 13.2 cm, 1.01 kg (10 x 7 5/8 x 5 3/16 in., 2.23 lb.) Museum of Fine Arts, Boston, 1983.331. Photograph courtesy Museum of Fine Arts, Boston

Betty Cooke: The Circle and the Square:

Object photography: Courtesy The Walters Art Museum, Baltimore © Betty Cooke

Vintage photograph: Photograph courtesy The Walters Art Museum, Baltimore © Betty Cooke

Betty Cooke, Pin, c. 1951-53; silver and Plexiglas; 3 ¹⁄₄ × 1 ⁵⁄₈ in. (8.26 × 4.13 cm), Photograph courtesy The Walters Art Museum, Baltimore © Betty Cooke; Courtesy of Auerbach and Maffia. Published in The Circle and the Line: The Jewelry of Betty Cooke, cat. no. 26.

Gilded Chicago: Portraits of an Era:

Installation views: Photography by Alex Garcia at The Richard H. Driehaus Museum, Chicago, 2018

New York Silver: Then and Now:

Aranda/Lasch & Marcelo Coelho Studio(Benjamin Aranda, Joaquín Bonifaz and Marcelo Coelho), Silver Light, 2017, PET film, silver ink, silver epoxy, LEDs, with inkjet printing. Photograph courtesy of Aranda\Lasch and Marcelo Coelho © Aranda\Lasch and Marcelo Coelho

Sheila Bridges, designer; Woody Tony, CAD design; Susan Kay Walker, silversmith, Tarnish, 2017 . Silver, forged, and laser-engraved. Photograph by Jeannine Falino. © Sheila Bridges

Preston Jones, Odre de Maguey Agave Pitcher, 2017. Silver, forged, repousséd, and gilded. Photograph courtesy of the artist © Preston Jones

Amy Roper Lyons, Women’s Work Goblet #2, 2017. Silver, 3D-printed and cast, hand-polished and patinated; enameled. Photograph courtesy of the artist © Amy Roper Lyons

Ted Muehling, Lichen box, 2017. Silver, fabricated, repousséd, and chased. Photograph courtesy the artist © Ted Muehling

Tiffany & Co. (founded 1837), Trophy Bowl, 1889. Sterling silver, gilding. Museum of the City of New York, Gift of Mrs. C. Oliver Iselin, M39.1.1. Photograph courtesy of the Museum of the City of New York

Brian Weissman, designer and maker; Daniel Jewelry Casting, casting, Pasta-loving Cup, 2017. Silver-plated bronze, cast and fabricated. Photograph courtesy of the artist © Brian Weissman

Wendy Yothers, designer and artist, Karbra Co., casting, Gotham tête-à-tête beverage service, 2017. Silver; raised, formed, fabricated, cast, chased. Collection of the Museum of the City of New York, 2018.38.1.1-5A-B. Photograph courtesy Museum of the City of New York © Wendy Yothers

Installation views: Photographs courtesy Jeannine Falino and Museum of the City of New York

L’Affichomania: The Passion for French Posters

Installation views: Photography by Michael Monar at The Richard H. Driehaus Museum, Chicago, 2017

What Would Mrs. Webb Do? A Founder’s Vision

Installation views: Photographs by Butcher Walsh; courtesy the Museum of Arts and Design, New York

Gilded New York: Design, Fashion, and Society

Installation views: Photographs by Whitney Cox, courtesy Museum of the City of New York

Crafting Modernism: Midcentury American Art and Design

Installation views: Photographs by Ed Watkins; courtesy the Museum of Arts and Design

Artistic Luxury: Fabergé — Tiffany — Lalique

Installation views: Artistic Luxury Fabergé Tiffany Lalique, October 19, 2008– January 18, 2009. The Cleveland Museum of Art

The Edge of the Sublime: Enamels by Jamie Bennett

Object photography: Kevin Sprague

Installation photography, New Paltz venue: Jeannine Falino

Selected Curatorial Projects:

Photograph by the Ingalls

Lectures and Workshops:

Courtesy Museum of the City of New York

About:

Portrait photography by Bess Gossage

Teapot: Courtney Starrett, designer; Epner Technology, plating, Modern Dowry teapot, 2017, 3D-sintered nylon, copper- and silver- plated; photograph courtesy of the artist

Press:

Contact:

Jack Lenor Larsen, designer, Bas Relief, 1968. Cotton velvet; resist dyed, Indigo dyed, printed, hand-blocked. 36 x 50 in. (91.4 x 127 cm). Museum of Arts and Design, New York, Gift of Jack Lenor Larsen, 2001

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